Journals Management System- University of Birjand

University of Birjand

Number of Journals	21
Number of Issues	334
Number of Articles	3,476
Article View	4,115,253
PDF Download	2,869,373


1.	1
	Pages 1-5

	View Article PDF 344.89 K

2.	The Iconological interpretation of the painting of “fairy playing a harp riding an intra-hybrid camel ”, preserved in the Museum of Islamic Art, Berlin
	Pages 5-25
	Seyedeh Masoumeh Shahcheragh; Farnoosh Shamili; Alireza Taheri
	View Article PDF 1.84 M

3.	Thematic Analysis of Human Figures in Qajar Calico Molds Preserved in Golestan Palace Museum
	Pages 26-43
	AMENEH mAFITABAR
	View Article PDF 3.31 M

4.	A comparative study of the relationship between text and image in the painting "Killing Rostam Sohrab and finding signs and lamenting over him" from the Shahnameh of Harvard University, the British Library and the National Library of France
	Pages 44-59
	Abolghasem Dadvar; zeynab karimi babab ahmadi
	View Article PDF 1.63 M

5.	Analysis of the conceptual and visual aspects of enamel and gilt vessels attributed to Abu Zaid Kashani
	Pages 60-76
	Ghazaleh Beikmohmmadi; Farzane Farrokhfar
	View Article PDF 1.92 M

6.	The Culture of Prayer, Therapeutic and Healing Beliefs and its Reflection in Islamic art
	Pages 77-96
	Elham Hassanvand
	View Article PDF 3.23 M

7.	Visual Semiotics of the Wall Murals in Qorayshi House, Amol
	Pages 97-116
	samareh Rezaei; Atieh Youzbashi
	View Article PDF 3.29 M

8.	Typology and Analysis of the Visual Elements of Luster Tiles of Takht-e Soleyman with an Aesthetic Approach; A Case Study of the Luster Tiles of National Museum of Iran
	Pages 117-136
	Sanaz Pourmahmoudi; Saeed Amirhajloo; Hassan Moradi
	View Article PDF 3.02 M

9.	Investigating the visual elements influencing the legitimacy of the Mongols in the art of the Ilkhanid period
	Pages 137-156
	Seyed Mahmood Hosseini Dehmiri; zahra bagherzadeh; nazanin hosseini
	View Article PDF 2.48 M

10.	The evolution of Iranian wooden Minbars based on construction and decoration techniques (Seljuq to Safavid period)
	Pages 157-177
	mohammad madhoushian nejad
	View Article PDF 2.69 M

11.	Analysis of Qajar tile painting based on the components of Orientalism discourse
	Pages 178-198
	amir nazari; mohamad ali bidokhti; maryam aziminezad
	View Article PDF 4.05 M

12.	The Hypertextuality of the Treatise of Sirat al-Khatt by Sultan Ali Mashhadi with a Focus on Its Influential Pretexts
	Pages 199-214
	Alireza Khakpour; mohamma aref; Mohammad Reza Sharifzadeh
	View Article PDF 1.18 M

13.	Studying the compositional structure of pottery motifs in the city of Jurjan during the Seljuk period
	Pages 215-232
	roghayeh afsariyegan; Parvez Haseli
	View Article PDF 2.01 M

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The Iconological interpretation of the painting of “fairy playing a harp riding an intra-hybrid camel ”, preserved in the Museum of Islamic Art, Berlin

Thematic Analysis of Human Figures in Qajar Calico Molds Preserved in Golestan Palace Museum

A comparative study of the relationship between text and image in the painting "Killing Rostam Sohrab and finding signs and lamenting over him" from the Shahnameh of Harvard University, the British Library and the National Library of France

Analysis of the conceptual and visual aspects of enamel and gilt vessels attributed to Abu Zaid Kashani

The Culture of Prayer, Therapeutic and Healing Beliefs and its Reflection in Islamic art

Visual Semiotics of the Wall Murals in Qorayshi House, Amol

Typology and Analysis of the Visual Elements of Luster Tiles of Takht-e Soleyman with an Aesthetic Approach; A Case Study of the Luster Tiles of National Museum of Iran

Investigating the visual elements influencing the legitimacy of the Mongols in the art of the Ilkhanid period

The evolution of Iranian wooden Minbars based on construction and decoration techniques (Seljuq to Safavid period)

Analysis of Qajar tile painting based on the components of Orientalism discourse

The Hypertextuality of the Treatise of Sirat al-Khatt by Sultan Ali Mashhadi with a Focus on Its Influential Pretexts

Studying the compositional structure of pottery motifs in the city of Jurjan during the Seljuk period