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تحلیل عنصر نور در نقاشی عاشورایی با تاکید بر مبانی حکمت نوریه سهروردی (مطالعه موردی آثاری از عبد الحمید قدیریان) | ||
| نگارینه هنر اسلامی | ||
| مقالات آماده انتشار، پذیرفته شده، انتشار آنلاین از تاریخ 20 مرداد 1404 | ||
| نوع مقاله: مقاله پژوهشی | ||
| شناسه دیجیتال (DOI): 10.22077/nia.2025.8940.1925 | ||
| نویسندگان | ||
| حسینعلی عابددوست* 1؛ زینب رسولی کنارسری2؛ زیبا کاظم پور3 | ||
| 1دانشیار گروه ارتباط تصویری، دانشکده هنر و معماری، دانشگاه گیلان، رشت، ایران | ||
| 2کارشناسی‌ارشد پژوهش هنر، دانشکدة هنر و معماری دانشگاه گیلان، رشت، ایران | ||
| 3دکتری پژوهش هنر، دانشکدة هنر،دانشگاه شاهد، ، تهران، ایران | ||
| چکیده | ||
| As a reasoned phenomenon, light is central to wisdom. Wisdom is always God-oriented and science is the origin of principles; The work of wisdom is the emergence of spirituality and self-fulfillment. Suhrawardi's theory is based on the translation and explanation of the Qur'anic verses and it means that the world is nothing but light and illumination. Ashurai art is one of the religious and religious art and has a deep and esoteric meaning. With a research approach in the field of art, Abdulhamid Qadirian has repeatedly addressed the process of transforming the concept into form, by creating his Ashura works, he has established a fundamental link between wisdom and religion and invited the audience to the conceptual truths of Ashura. The main research question is, with what purpose and meaning is the element of light used in the Ashura works of Abdul Hamid Qadirian, and how is the Karbala incident represented in Qadirian's works? What is the relationship between the representation of light in Ostad Qadirian's paintings and the concept of light in the wisdom of illumination? The research method is descriptive-analytical in nature. Collecting information is in a library method and through note-taking and image reading. The research data are analyzed from a qualitative aspect and by reasoning and logic method. These results show that: in Qadirian's Ashura paintings, the element of light has a sacred, spiritual and spiritual nature, and in addition to the manifestation of the divine attribute, luminous characters are depicted as illumination and spiritual light. Imam Hussain (a.s.) is the vision and evidence of the origin of light and the illuminant of the perceptible world, praise and meaning, on this basis, the event of Ashura is represented in Qadirian's works in the meaning of life. The representation of light in the paintings as a deep code is related to the concept of luminous light and the unity of the essence of truth, hence, awakening and vision are shown by guiding light, and blindness and sleep are shown by darkness and lack of light. | ||
| کلیدواژه‌ها | ||
| عاشورا؛ نقاشی؛ عبدالحمید‌قدیریان؛ نور؛ حکمت اشراق | ||
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آمار تعداد مشاهده مقاله: 140 |
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