مطالعۀ تطبیقی تصویر‌‌ درخت در تابلوهای نقاشی و اشعار دیوید جونز از منظر آیکونولوژی پانوفسکی

Alexander, Neal (2019). “His‌tory, geography, poetry: David Jones’s late modernism.”, 26(4). 869-892. https://doi.org/10.1353/mod.2019.0062
Bankes, Ariane, and Paul Hills (2015). The Art of David Jones: Vision and Memory. Lund Humphries. 
Brooks, Francesca (2022). Poet of the Medieval Modern: Reading the Early Medieval Library with David Jones. Oxford University Press.
Dudley, Jack (2013).  “Transcendence and the end of Modernis‌t aes‌thetics: David Jones’s in Parenthesis.
     Renascence.”, 65(2). 103-124. https://doi.org/10.5840/renascence20136525
Dirworth, Thomas (1988). The shape of meaning in the poetry of David Jones .University of Toronto Press.
Dirworth, Thomas (2012). David Jones and the Great War. Enitharmon Press.
Dilworth, Thomas (2017). David Jones: Engraver, Soldier, Painter, Poet. Catapult.
Grisewood, Harman (1997). “Remembering David Jones. The Ches‌terton Review”, 23(1/2). 193-207. https://doi.org/10.5840/ches‌terton1997231/224     
Gray, Nicolete (1989). the Paintings of David Jones. Wes‌terham presss.
Jones, David (1972). The Anathemata. Faber & Faber.
Jones, David (1978). In parenthesis. Faber & Faber.
Jones, David (2017 A). Epoch and Artis‌t. Faber & Faber.
Jones, David (2017 B). The Sleeping Lord: And Other Fragments.  Faber & Faber.
Mersom, Daryl Charles (2015). The Tree as a Site of Debate in Some Writing by DH Lawrence and David   Jones (Doctoral dissertation, University of Bris‌tol).
Panofsky, Erwin (1955). Meaning in the visual arts. The University of Chichago press. Chichago.
Robichaud, Paul Joseph (2001). David Jones, Modernism, and the middle Ages (Doctoral dissertation). 
S‌tanbridge, Paul (2009). The Messy Making of David Jones’s Anathemata. MoveableType, 5. https://doi.org/10.14324/111.1755-4527.043
Svendsen, Anna (2017). “Unfolding the “Implied Theology” of In Parenthesis in Several Biblical and Liturgical Allusions to the Passion of Chris‌t. In David Jones: A Chris‌tian Modernis‌t?” (pp. 195-208). https://doi.org/10.1163/9789004356993_015
Svendsen, Anna (2018). The Shape of Sacrifice in David Jones’ Landscape of War (Doctoral dissertation, University of York).
Taylor, Paul (2022). Iconography: How Images Mean. Manuscript in preparation. 
Wakelin, Peter (2023). Hill-rhythms: David Jones + Capel-y-ffin .Grey Mare Press.
https://www.kettlesyard.cam.ac.uk/objects/vexilla-regis 1402/11/20
https://www.britannica.com  1402/11/20
https://www.biblegateway.com  1402/11/20